Virtual Scene Design of Peking Opera "Farewell My Concubine" Based on Human-Computer Interaction Technology

Abstract

In the continuous development of interactive art today, people pay more and more attention to the diversity of interactive methods, and Chinese opera performance has also derived many emerging technology carriers. For example, the virtual scene opera performance is based on human-computer interaction technology, which breaks through the limitation of time and space of opera performance, transforms from the theatre stage space to various types of virtual space, and makes use of various types of carriers and media such as image and sound to perform. Actors in the virtual space can create an interactive continuation of the virtual space through body changes or spatial scheduling. This not only enables the audience to appreciate the imagery of the "four skills" of Singing, Recitative, Acting, and Acrobatic Fighting in the choreographed movements of the opera but also to appreciate the spatial image of the "image outside of the image" and "image outside of the meaning".The virtual scene design of the Peking Opera "Farewell My Concubine" realizes the functions of multimedia participation in performance and construction of virtual scenes through digitally constructed performance scenes, which can be quickly applied to diversified opera performances, and at the same time, it has strong theoretical and practical application value in expanding the scope of the audience and expanding the effectiveness of trans-media digital opera dissemination, providing new possibilities for further combining the virtual scene design of the opera with human-computer interaction technology.

Keywords: Virtualized scenario, Human–Computer Interaction, Farewell My Concubine

DOI: 10.54941/ahfe1004976